The Two's

Imagine a child of the 80s/90s underground scene falling in with a 70s prog, classically-trained cellist. What do ya get? A refreshing and often unexpected sound. The Two's from New Orleans perform original music and re-imagined covers. They have performed at multiple venues and festivals, and opened for such acts as Heart, Tim Reynolds, Zucchero, Walter “Wolfman” Washington and Bonerama, among others.  “Their sound is utterly unique and... More

Imagine a child of the 80s/90s underground scene falling in with a 70s prog, classically-trained cellist. What do ya get? A refreshing and often unexpected sound. The Two's from New Orleans perform original music and re-imagined covers. They have performed at multiple venues and festivals, and opened for such acts as Heart, Tim Reynolds, Zucchero, Walter “Wolfman” Washington and Bonerama, among others.  “Their sound is utterly unique and refreshing.” - FV Reviews  “The originality of “Lullaby” is incredible as The Two’s bring something completely unique to the music world.” - Music Industry News Network About Ruby Rendrag Ruby – the band octopus - delivers a sultry vocal and sets the groove with her guitar and foot-drum kit. She was born to a Houma Indian Mother and a banjo playing, West Virginian Father. Ruby has been a part of the New Orleans music scene for over 18 years performing as a solo artist, and as a side woman with many local acts. She lives a life immersed in music. As owner and manager of NOLA Muse, she helps local, national, and international artists plan and execute their recording projects. She infuses The Two’s with her bluegrass-Led Zeppelin-80’s underground influences.  About Suki Kuehn Cellist Suki Kuehn was made in Japan (a Navy brat). Growing up he was exposed by his parents to every kind of classical and theatrical music. Although he became a nuclear engineer, Suki has studied cello “on the side” from the fifth grade on. He has lived throughout the US, finally settling in New Orleans after a stint driving subs for the Navy. He plays either an old French cello that for who-knows-how-long lived in a barn south of Paris, or a battered German cello bought from an ancient woman in a dark French Quarter alley. Using a few tasteful effects, Suki weaves in texture and force, hinting at rock, folk, jazz, and classical styles. Less