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        <title><![CDATA[@Pink Awful - blog]]></title>
        <description><![CDATA[
What’s the rumpus? Pink Awful! The five piece rock band from Reno, Nevada combines swirling, angular, but melodic guitars with a driving, solid rhythm section and vulnerable yet visceral lyrics. The band’s sound gives a nod and a wink to a familiar past while exploring the musicality of dissonance, spoken word, female empowerment and the occasional odd time signature. At times dance-able. At times atmospheric and drenched in delays. At times introspective and moody. Always sincere and heartfelt. Their impressive, energetic live show has also expanded as they attempt to blur the line between performer and audience.
 
Pink Awful began proper when Ashley connected with Mike via Craigslist and added vocals and lyrics to old demos he had created with no intention of them ever seeing the light. The sound gelled after a couple years with the addition of Dwight on bass, John on drums and Daniel on guitar. New blood meant new energy and a whole new spectrum of influences to explore.
 
The band’s first full length, Potboiler, was released in July of 2018, with a brief West Coast tour following. Since then the band has kept busy writing new music, playing shows and recording singles to be released with accompanying videos over the coming months.
Pink Awful has had the pleasure of opening for: Plain White T's, The Messthetics (featuring members of Fugazi), and Mannequin Pussy, and Doll Skin.
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        <link>https://tunetrax.com/pink-awful</link>
        <lastBuildDate>Sat, 18 Apr 2026 21:30:00 -0700</lastBuildDate>
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                <title><![CDATA[Awfully good: The Messthetics charm Jub Jub’s in Reno - @pink-awful]]></title>
                <link>https://tunetrax.com/pink-awful/blogs/106/awfully-good-the-messthetics-charm-jub-jubs-in-reno</link>
                <guid>https://tunetrax.com/pink-awful/blogs/106</guid>
                <description><![CDATA[ https://www.tahoeonstage.com/reviews/concert-reviews/awfully-good-messthetics/ ]]></description>
                <pubDate>Sat, 18 May 2019 14:32:18 -0700</pubDate>
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                <title><![CDATA[Pink Awful in Tahoe onstage (article by Tony Contini) - @pink-awful]]></title>
                <link>https://tunetrax.com/pink-awful/blogs/88/pink-awful-in-tahoe-onstage-article-by-tony-contini</link>
                <guid>https://tunetrax.com/pink-awful/blogs/88</guid>
                <description><![CDATA[<br><br>
  Reno’s Pink Awful closes Lincoln Lounge, releases ‘Potboiler’ <br><br>
<br><br>
<br><br>
  Ashley Costelloe and Pink Awful ensured the Lincoln Lounge did not go gently into that good night.<br> Tahoe Onstage photos by Tony Contini<br>
<br><br>
 Ashley Costelloe of Pink Awful spent her late teens and early 20s playing in bands around Reno. After a break from performing, she returned with vigor.<br>
 “I reached a frustration point and just wanted something solid,” Costelloe said.<br>
 She put out feelers on Craigslist and found Mike Miller, guitarist/vocalist and songwriter. They were both looking to start a band, but ended up dating, as well. Talk about a casual encounter. Sorry, Craigslist joke.<br>
 Around that time, Pink Awful’s guitarist Daniel Lawson and drummer John Walker were in a different band. They opened for Costelloe and Miller’s first show. Afterward, Walker told them to consider him if they ever needed a drummer.<br>
 “We thought they were so cool,” Lawson said. “It took so many steps and random associations to become this band.”<br>
 Costelloe and Miller worked as a twosome before they united with the rest of the group. Costelloe wrote all the lyrics and melodies, then new members came along and added their personalities. They found bassist Dwight Struthers because he and Lawson went to high school together in Grass Valley, California.<br>
  <br>
 Pink Awful has been together for about a year and a half and just released its first record, “Potboiler” at Lincoln Lounge last Saturday. The collection of nine songs was recorded by Rick Spagnola at Dogwater Studio in Reno and is a culmination of songs the Craigslist lovebirds first wrote together. Miller credits Costelloe’s passion and melodies for the actualization.<br>
 “Many of the songs I had from years of playing,” Miller said. “But I never found a way to put them together until it just kind of worked with Ashley.”<br>
 Pink Awful stands somewhere between Florence and the Machine and Sonic Youth. Costelloe’s bold voice and stage presence carry the power and mystery of Cher. Effect-laden guitars build melodies and are spastically embellished by experimental guitar parts flaunting harmonics and intricate noodling. Vocal parts often are balanced between Costelloe’s mature growl and Miller’s deep and steady baritone.<br>
 “What we do well is have a strong rhythm section, but it’s also quite melodic,” Miller said. “The guitars are free to make soundscapes or ‘noise.’ Then Ashley finds somewhere in there to fit, which makes a song out of what could otherwise be esoteric madness. We come together at the right moments.”<br>
 “Potboiler” is full of successes. “Weight of Worry” has plenty replayability. I found myself singing it hours later. “Jarreee” displays a Nirvana-esque edge and looseness. “Lamps and Torches” is an emotional wave that peaks on Costelloe’s pained shouts and Lawson’s triumphant solo, which bends through the track with feeling and then gets faster and faster until he’s shredding like a madman. “Opening Song” and “Life Rots (In Your Hands)” close the album wonderfully. The former starts with scratching guitar strings and cavernous tom drums. It builds to Costelloe’s most impressive vocal performance on the record, a mix of power and pain. The track segues into the final 6-minute epic with upbeat drums. Both singers blend and dissolve into one as the album finishes.<br>
 Costelloe and the rest of Pink Awful hope they are adding something new and enjoyable to Reno’s music scene.<br>
 “There aren’t many bands with the Fugazi-feel in Reno,” Lawson said. “At lots of shows I’ve gone to, it feels like people are just standing around and not getting into the music. Or at hardcore shows, you’re scared for your life. I think our shows are a nice, happy medium.”<br>
 This opinion is shared by others. Rémi Jourdan, founder of Tunetrax, former-owner of Club Underground and booking agent extraordinaire, thinks the band is something special.<br>
 “It’s not very often the personality matches the music,” Jourdan said. “When you see them onstage it all comes together.”<br>
  <br>
 Pink Awful played a show at Lincoln Lounge a few months ago and loved the outdoor stage. When it was time to release the album, they wanted it to be in the landmark Reno bar.<br>
 “A couple weeks later we booked the date,” Lawson said. “Then a month after, they contacted us and said we’d be the last show on the last day of the Lincoln Lounge.”<br>
 They were both depressed and honored by the task.<br>
 Skew Ring of Reno opened the album-release party with reverbed drums and a singer jumping off of tables full of fans.<br>
 Mid-song, both bands harbored focused professionalism. Costelloe used a megaphone a handful of times, something I see frequently in Reno. She took the art a step further when she used the built-in siren throughout a noisy transition.<br>
 Pink Awful has a cute kinship onstage. Struthers and Lawson play to each other and are quick with jokes and banter between songs.<br>
 During one break, Costelloe said “damn” for some reason.<br>
 “Cursing!” one of her bandmates yelled. “Careful, you’re going to get the place shut down.”<br>
 Between songs featuring bold, talkative guitars and a frontwoman with an abundance of energy, they were ready with jokes. During another breather, they thanked Craigslist for sponsoring their band.<br>
 I’ve been shooting bands for a “living” almost 10 years, and I can honestly say this is the first time a musician has shaken my hand and thanked me for coming mid-set. They’re endearing, thankful and honest.<br>
 Miller praises the increasing breadth of genre in Reno’s music scene. Blues bands and singer-songwriters aren’t enough for him and the town. He said a crucial step Reno needs to take is venues treating local bands with the respect they deserve.<br>
 “Local bands get screwed on payment all the time,” Miller said. “Regardless of the night or draw. The promoters at some places don’t do anything aside from asking if you want to play. They don’t even show up to the gigs they book.”<br>
 He said in business, a part of respect is money, and if you want people to stay and be part of a scene, you have to treat them like you want them there.<br>
 The audience packed shoulder-to-shoulder in Lincoln Lounge’s patio were ready to pay respect and had nowhere else they wanted to be. Hopefully venue owners will recognize the devotion.<br>
   – Tony Contini  <br>
  Listen to Pink Awful’s album ‘Potboiler’ here –    https://tunetrax.com/pink-awful <br>
<br><br>
 ]]></description>
                <pubDate>Mon, 30 Jul 2018 20:16:04 -0700</pubDate>
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                <title><![CDATA[Pink awful featured on NPR in KNPR's State of Nevada New Releases  - @pink-awful]]></title>
                <link>https://tunetrax.com/pink-awful/blogs/87/pink-awful-featured-on-npr-in-knprs-state-of-nevada-new-releases</link>
                <guid>https://tunetrax.com/pink-awful/blogs/87</guid>
                <description><![CDATA[<br><br>
 (with Fred Wasser (Producer at KNPR) and Willobee (Program Director of NV89)<br>
 Link: https://knpr.org/knpr-discover-music/2018-07/new-releases-sarah-thiele-pink-awful-danger-will-robinson-dead-winter<br>
 ]]></description>
                <pubDate>Mon, 30 Jul 2018 20:13:54 -0700</pubDate>
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                <title><![CDATA[Local Band Alert: Reno’s Pink Awful - @pink-awful]]></title>
                <link>https://tunetrax.com/pink-awful/blogs/85/local-band-alert-renos-pink-awful</link>
                <guid>https://tunetrax.com/pink-awful/blogs/85</guid>
                <description><![CDATA[<br><br>
 Local Band Alert: ThisisReno takes a closer look at local bands in this series of 5-minute interviews. This week we chat with Pink Awful, which got their start in 2015.<br>
 <br><br>
  1. How did you get started and who are your fans? Ashley and Mike started writing together in 2015 with demos that Mike had created. After a couple of personnel changes Daniel, Dwight and John finalized the lineup. <br>
 Our fans are just people that like rock music in all its various incarnations.<br>
  2. How would you describe your sound and style? <br>
 Noise pop. We like making noisy, aggressive music that challenges the listener, but recalls the familiar melodies and feelings that rock n roll brings out.<br>
  3. Where can people listen to you music when you aren’t playing live? <br>
 Our album will be available on Spotify, Apple Music, Google Music, and every other major platform on July 1st.<br>
  4. Where do you see the band in 5 years? <br>
 Hopefully touring our 3rd full length album and becoming a headliner- or opening for Fugazi on their long awaited reunion tour.<br>
  5. How can people get a hold of you? 
   www.pinkawful.com <br>
 Tunetrax<br>
 Facebook<br>
 Instagram<br>
 Twitter<br>
 Pinkawful@gmail.com<br>
  Image and interview by Bob Conrad from  This Is Reno ]]></description>
                <pubDate>Thu, 14 Jun 2018 11:33:18 -0700</pubDate>
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