After three years of regional tours supporting two EPs, the loudest rhythm section in Seattle began work on a full length album feeling they had discovered a channel for heavy, noisy fuzz rock that complimented the lyrical and vocal energy of their song writing, as well as moving towards a less formal sense of the art. The hard hitting and raw elements within their music have been inspired by classic and modern Glam, Indie, Stoner, Metal and... More
After three years of regional tours supporting two EPs, the loudest rhythm section in Seattle began work on a full length album feeling they had discovered a channel for heavy, noisy fuzz rock that complimented the lyrical and vocal energy of their song writing, as well as moving towards a less formal sense of the art. The hard hitting and raw elements within their music have been inspired by classic and modern Glam, Indie, Stoner, Metal and Punk predecessors like The Stooges, Kyuss, Le Butcherettes, Melvins, Metz, Soundgarden, making every hit a rebuttal to the subtle oppression of passive aggression and ghost culture in a growing tech city. Ian Forrester writes from a place of frustration, confusion, love and loss, and personal growth giving voice to his anger and sadness. Their latest material gave way to deeper vulnerability and fear, speaking directly to himself at times begging for a reprieve from ones own self destructive nature. "Emotional Whatever Things" was a turning point for Dirty Dirty's sound moving away from the longer rock compositions and into less predictable and chaotic movements to better distress the message of Ians lyrics. With other tracks like "Pretty Boy Trash" on the upcoming LP do not disregard their Sludgy, Stoner Rock Roots with songs that still dip and drag in the grooves of a controlled dissent into melancholy and depression, leaving a the wounds undressed and vitals beating hard. Less
Band
Rock, Punk
The Stooges, Le Butcherettes, Fucked and Bound, METZ, Fugazi, PJ Harvey, Lightning Bolt, Death From Above 1979, The Dead Weather